for loss
kawai shiu/prepared condemned piano

 

“[for loss] belongs to a special category of modern music. Kawai Shiu’s style is, in parts, experimental, impressionistic, jazzy, poetic, and devotional.”
-Fanfare

“On their own, the fascinating sonorities and sustained atmosphere plot an unconventional, but recognizably dramatic story, an artistic meditation on a catastrophe of nature.”
-Fanafre

“….sonically interesting and engaging. Using a variety of percussive, bowed, and conventional keyboard techniques, Shiu coaxes a huge range of sounds from his instrument and effectively communicates a sense of loss and tragedy while also making music that is both intellectually and aesthetically engaging.”
-CD HotList

“….and has built a monumental and gorgeous 62-minute essay through studio superimpositioins and multi-tracking.”
-La Folia

“The work fascinates in its stark ritualized action. The more one listens, the more one gravitates toward the sounds so well thought-out by Kawai Shiu. It has a one-of-a-kind quality that is in the end a tribute to the bravery of those who got through the upheaval and surged forward to rebuild their lives. In that, it is a work highly representational. All sounds have meaning yet are singular within themselves. Hearing a moving experience. Listen!”
-Gapplegate Classical-Modern Music Review

stream and seasons

autumn palette
Kelly Loh Bao Yun/flute, Li Hanqi/clarinet,
Wu Na/piano, Jiang Lele/violin, Hsieh Meng, Feng/cello
farewell bacchae
Li Xin/clarinet
a leaf by far
Katherine Wallace/voice
summer ligature
Kelly Loh Bao Yun/flute, Li Hanqi/clarinet, 
Wu Na/piano, Jiang Lele/violin, Hsieh Meng, Feng/cello
la rosée fond
Xiaoxiao Qiang/violin
twenty six eighty seven
Dan Gelok, alto saxophone
winter tide
Kelly Loh Bao Yun/flute, Li Hanqi/clarinet, 
Wu Na/piano, Jiang Lele/violin, Hsieh Meng, Feng/cello
jade luster
Low Shao Suan, Low Shao Ying/piano

“The album of music by Kawai Shiu, titled Stream and Seasons, nearly explodes with virtuosity and color. The performances are fearless and impeccable; the music is exciting and sensitive. ‘Autumn Palette’, only 2-1/2 minutes long, is a brilliant opening piece—full of fire, dense and compact but never forced. Farewell Bacchae is extended clarinet at its best, widely expressive but cohesive, and clarinetist Li Xin is marvelous. The solo violin piece La Rosee Fond is a delicate arabesque in the very upper reaches of the instrument’s range. In all of the pieces the timing is wonderful, both Shiu’s and the performers’.”
-American Record Guide

unassuming music

la coral de una mano alberto
Albert Tiu/piano
in keinen wörtern singen wir
Ekachai Maskulrat/cello
night lay on page
Katherine Wallace/voice
un no víola
Zhou Yi/viola
anthem for apep
Han’s Horn Quintet
spiral à outrance
Yuan Long/flute
quartet desire
Li Xin/clarinet, Xu Tian/violin, Zhou Mi/cello, Jenny Cho/piano

“Each piece in this collection is a very attention-getting listening experience – tranquil and Zen-like one movement; bodering on violent and manic the next.”
-Audiophile Audition

tung o processional
Hong Kong New Music Ensemble

(from around)

 

“….scene after scene of mesmerizing music.”
-Headline Daily

winter tide
kawai and the musicians

(from eXchange China)

 

“….glitters and soars through its concise four minutes.”
-American Record Guide

“….creates a surprising amount of drama.”
-Fanfare

porn 300

pornography: music for kawai shiu

breathe….
Richard Foster/violin
solitary practice
Sheryl Cohen/alto flute
nocturnal acts
Jonathan Noffsinger/alto saxophone
dialogue
James Holland/amplified cello
a plot….
kawai, CLARIE/MIDI piano
ISOLTR
Matt Ingalls/clarinet
clear shade
Kenneth Saxon/piano
ancient voices
kawai and the musicians

some other time
Jiri Mikula/Moravian Philharmonic

(from New Music for Orchestra)